----- Experience in your own room the magical nature of stereo sound -----

 

 

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  LX521.4 - Reference Loudspeaker

LX521.4 is a 4-way loudspeaker, designed as full-range dipole, for flat on-axis and off-axis response in the horizontal plane and frontal hemisphere. It requires between 8 to10 power amplifiers of 50 W to 200 W and a miniDSP 4x10HD. The speakers need breathing room of at least 1 m to the nearest large reflecting surfaces and a room with a minimum volume of 65 m3

The LX521.4 eliminates the passive L&C crossover in the LX521 top baffle and brings the speaker to its logical completion. Drivers and baffle design remain unchanged. Equalization and crossovers have been redesigned from newly taken acoustic measurements for a lower listening  axis. 

With its clarity, imaging, high dynamics and disappearance from one's auditory illusion, the LX521.4 renders a superb recording probably as good as it gets and delivers a highly enjoyable experience. I am delighted.

 

Evolution of the LX521.4 Ref speakers founded on the development by Siegfried Linkwitz.

The road towards LX521:

Audio Artistry manufactured and sold dipole speakers designed by Siegfried.

Beethoven - 1998 Stereophile (Loudspeakers of the Year Award), Dvorak, and Vivaldi. Dvorák was introduced at the 1994 WCES, when Siegfried decided to join the company. Shortly thereafter Audio Artistry incorporated.

When Siegfried departed Audio Artistry, he developed the Phoenix speakers in 2000 followed closely by Orion. The Orion speakers evolved in design from an H frame woofer design using Peerless 10” subwoofers to a W frame in Orion 4 which used SEAS 10” subwoofers. The Orion 3 design also supported the SEAS woofers as an upgrade to this model.

Using a multi-channel amplifier (usually an ATI-6012), these speakers improved with the addition of higher wattage on the woofers. Siegfried used the ATI-180 watts multi-channel amplifier to drive the speakers. At a show in 2014 we began Pass Labs amplifiers which provided 500 watts to the woofers and 30 class A watts per channel to each of the remaining driver sections. Don Naples who had been manufacturing  the speakers and providing demonstrations at shows retired in 2015. He provided his speakers and amplifiers for demo use by the SF Audiophile Assoc. While installing the speakers at Hilltop, David Hicks and Larry Deniston were listening to the speakers first with a miniDSP and then with the ASP (Analog Signal Processor) It took them less than a minute to decide the Analog crossover was superior in sound reproduction.

 

Siegfried continued testing speaker designs concentrating on the dispersion of sound waves and developed the LX521 speakers in 2012. Here are the five steps how it developed from there.

1) 2012, the first version of LX521 was realized with an analog 3-way active crossover and a passive crossover (capacitor & inductor) between the upper and lower midrange drivers.

The first generation of PowerBoxes are on the market. ASP 3way and Hypex UcD amplifiers were offered by the Linkwitz.store. 

2) LX521.4 In 2015, a 4-way digital crossover (DSP) with miniDSP 4x10HD was realized. Siegfried Linkwitz called it LX521.4 . It required an extra amplifier channel and another wire pair to the LX521 cabinet, while the passive capacitors and inductors could be removed.

2016, for LX521.4, the second generation PowerBoxes 6pro Ncore arrived. Hypex DLCP (DSP) and Hypex UcD and Ncore amplifiers are used.

 3) 2017 brought the move from DSP towards ASP, again. As DACs in miniDSPs and DLCP could limit sound quality, Siegfried developed an all analog active 4 way analog crossover, filtering the channels in parallel configuration. This ASP was categorized as Analog Signal Processor (ASP) V1.0  for LX521.4

4) After Siegfried passed, an optimized Analog Signal Processor (ASP) V2.0 was introduced. The PowerBox 6pro Ncore precision analog contains this ASP V2.0 cascaded crossover, plus five Ncore amplifier channels per side. The cascaded configuration (phase coherence among channels) was used to tweak the signal path by optimizing OPamp stages and new OPamp types. This pushed sound quality of LX521.4 even further.

 5) In 2021, a new, tailored low midrange driver was developed by SEAS/Norway: LINKWITZ22MG (magnesium cone). New motor, new cone, vanishingly low distortion and avoiding cone edge reflections. This led to an improvement in clarity and speech intelligibility. The new LX521.4MG comes with ASP v2.0 and the L22MG driver upgrade.
LX521.4MG is state of the art in late 2024, receiving many “best of show” titles, “product of the year”, “recommended product” as well as outstanding reviews.

Customers with older ASP v1.0 could/can make use of free DIY pcbs/mods in order to adapt the circuit to L22MG (although without switching to the cascaded circuit architecture).

Siegfried passed away in September 2018 and Frank Brenner took on the task of continuing development and manufacturing of the speakers.

These above are basically the versions of these speakers in use.

I hope this document helps to clarify the differences.

Don Naples

 

 

LX521 Construction Plans

  • LX521.4 Construction Plans are an addition to  LX521 plans and available to all LX521 plan owners via their Owner Support Page. The LX521 Construction Plans are available as PDF only. 

  • To order the LX521 plans, choose from plans, CDs downloads (or navigate to LINKWITZ.store or Madisound)
      
  • I provide access to an Owners Support Page for DSP configuration files, updates and corrections to the LX521 design.
    Questions for help should be posted on the OPLUG forum.  
      
  • Have fun, create memories!

 

 

Complete systems

After you have received the Construction Plans you may realize that you do not have the time, skill or confidence to build the speaker system yourself. Or, you may know this from the outset and want to buy a professionally assembled and finished system. Here then are licensed manufacturers, who ship worldwide:

From Germany: www.LINKWITZ.store for LXmini, LX521, LX521.4, LXstudio with PowerBox, PowerHouse

See Terms, Conditions & Blacklist to guarantee that you receive a genuine LINKWITZ LAB product.

 

At the "Reproduced Sound 2015" Conference of the the UK Institute of Acoustics I gave a talk "The Magic in 2-Channel Sound Reproduction - Why is it so rarely heard?"

 

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What you hear is not the air pressure variation in itself 
but what has drawn your attention
in the streams of superimposed air pressure variations 
at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space
Have they been recorded and rendered sensibly?

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Last revised: 12/15/2024   -  © 1999-2019 LINKWITZ LAB, All Rights Reserved