----- Experience in your own room the magical nature of stereo sound -----

 

 

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---  San Franciso Symphony ---  CHANNEL CLASSICS ---  McGill University --- Pentatone Classics --- DGG --- RR --- DSD streaming ---

 

Making a SACD with the Budapest Festival Orchestra

Here is a video with C. Jared Sacks, founder of CHANNEL CLASSICS RECORDS, showing his recording technique and talking about his objectives when recording. Note the use of a central XY microphone pair in addition to many AB microphones. In particular, he uses an MS pair, which gives him the freedom to adjust the levels of mid and side microphone outputs after the recording session at the mixing stage in order to change the overall stereophonic perspective*.

* Wesley Dooley, Ronald Streicher, M-S Stereo: A Powerful Technique for Working in Stereo, JAES, Vol. 30, No. 10, 1982 October
* Ron Streicher, Wes Dooley, Basic Stereo Microphone Perspectives - A Review, JAES, Vol. 33, No. 7/8, 1985 July/August

Channel Classice Jared Sacks.pdf

https://www.channelclassics.com/ragazze-quartet-36815.html

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What you hear is not the air pressure variation in itself 
but what has drawn your attention
in the streams of superimposed air pressure variations 
at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space
Have they been recorded and rendered sensibly?

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Last revised: 02/15/2023   -  © 1999-2019 LINKWITZ LAB, All Rights Reserved